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And that's not the only Kennedy Center-related news this week. Chuck Redd, a drummer and vibraphone player, has been hosting a Christmas Eve jazz program, called "Jazz Jams," at the Kennedy Center for the last 20 years. However, once Donald Trump's name was slapped on the building, Redd canceled the show. "When I saw the name change on the Kennedy Center website and then hours later on the building, I chose to cancel our concert," he explained to The Associated Press.
Trump acolyte Richard Grenell, who is now the president of the Kennedy Center, quickly fired off a nasty letter to Redd. It offers a master class in MAGA rhetoric. For example, from the opening portion of the missive:
Your decision to withdraw at the last moment"explicitly in response to the Center's recent renaming, which honors President Trump's extraordinary efforts to save this national treasure"is classic intolerance and very costly to a non-profit Arts institution.
Regrettably, your action surrenders to the sad bullying tactics employed by certain elements on the left, who have sought to intimidate artists into boycotting performances at our national cultural center.
"Disagreement" and "intolerance" are not synonyms, nor are "boycotts"/"pushing for boycotts" and "bullying."
The letter also has this:
Your dismal ticket sales and lack of donor support, combined with your last-minute cancellation has cost us considerably. This is your official notice that we will seek $1 million in damages from you for this political stunt.
So, Redd's concert was selling no tickets and attracting no financial support. And yet, by canceling it, he's cost the institution $1 million - far above the take for even a very successful performance. You can't have it both ways... unless you are utilizing MAGA logic.
Things are certainly going to get worse at the Kennedy Center before they get better. There are already plenty of acts who don't want to have any association with a particularly unpopular administration, and a particularly unpopular maneuver by that administration. Now that threats of lawsuits are flying? Better to just leave the Kennedy Center off the itinerary completely. There are certainly artists and traveling shows who will be more than happy to make an appearance, but we doubt there are enough of them for 365 days of programming. Further, we're not sure that, say, Lee Greenwood or Larry the Cable Guy are a great match for the demographics of D.C. (Z)